3 Vhalar, 716
The tell-tale galumph of Sol's heavy boots heralded his arrival. He offered a curt nod to one of the standard-duty guards as he passed under the library's welcoming arch. A slow day. He glanced about the lack-luster crowd; a singular, old fellow pawed at the corner of a low-laying shelf, two university students argued over some trivial quip or another, and he caught a glance of Penelope busying herself with some important task. More-so than his own work, anyway. The scribe lowered the hood of his cloak and advanced across the open floor, the usual scowl held to ward off any incessant nagging. He parked himself at a desk at the far side of the main room and removed his pack, setting it aside the wooden stand while he rummaged through the contents to produce two wide, thick books of similar girth and placed them side by side.
Sol withdrew a smaller pouch and placed it on the desk. From there he found his reservoir pen, sinking the edge into a vial of blank ink and waiting, his eyes latch to the process with a dull, half-glazed over countenance. The practice allowed him a measure of perspective for the day. He glanced aside at the title of this latest request, a copy of Merrigold's "Dowsing for Materials: A Scientific Approach to Divining Gold" and rolled his eyes. Some businessman or another came with the request. Nets were nets. Sol removed his pen from the vial, opened the still half-blank book to his left and read the last passage before yesterday's end.
"...While there is no sure-fire way to determine the quality of the materials beforehand this technique assures for the maximum quantity..." Ah yes, the great mysteries of the world opened their doors to his every whim.
With a sigh, the scribe opened the tome to the counterpart page of his unfinished 'masterpiece.' He sprinkled a handful of drying dust over as-of-yet blank pages then gently shook the book. Once the material settled he squared his shoulders and set his arm parallel to his work and set the pen to parchment. He started slow, of course, his wrist turning in a practiced, direct manner, keeping its motions small as to not tire so quickly. Sol glanced from one tome to the other, reading a passage once, twice, then transcribing the entry to the copy. He followed the form of the original as close as possible - yet Merrigold was a very superior scribe it appeared - taking note of the long, looping cursive and the somewhat-slanted lettering.
"...your technique used to mine is as important as your location! An experienced foreman makes all the difference whilst hiring..."
Sol glowered at the text. Merrigold's abuse of the exclamation mark brought forth a new hatred of grammar. Shouldn't one strive for some sort of balance between the subject and the material? Though, of course, he mused that if that held true the writing herein would make for a better death-knell than a work of non-fiction.
The tell-tale galumph of Sol's heavy boots heralded his arrival. He offered a curt nod to one of the standard-duty guards as he passed under the library's welcoming arch. A slow day. He glanced about the lack-luster crowd; a singular, old fellow pawed at the corner of a low-laying shelf, two university students argued over some trivial quip or another, and he caught a glance of Penelope busying herself with some important task. More-so than his own work, anyway. The scribe lowered the hood of his cloak and advanced across the open floor, the usual scowl held to ward off any incessant nagging. He parked himself at a desk at the far side of the main room and removed his pack, setting it aside the wooden stand while he rummaged through the contents to produce two wide, thick books of similar girth and placed them side by side.
Sol withdrew a smaller pouch and placed it on the desk. From there he found his reservoir pen, sinking the edge into a vial of blank ink and waiting, his eyes latch to the process with a dull, half-glazed over countenance. The practice allowed him a measure of perspective for the day. He glanced aside at the title of this latest request, a copy of Merrigold's "Dowsing for Materials: A Scientific Approach to Divining Gold" and rolled his eyes. Some businessman or another came with the request. Nets were nets. Sol removed his pen from the vial, opened the still half-blank book to his left and read the last passage before yesterday's end.
"...While there is no sure-fire way to determine the quality of the materials beforehand this technique assures for the maximum quantity..." Ah yes, the great mysteries of the world opened their doors to his every whim.
With a sigh, the scribe opened the tome to the counterpart page of his unfinished 'masterpiece.' He sprinkled a handful of drying dust over as-of-yet blank pages then gently shook the book. Once the material settled he squared his shoulders and set his arm parallel to his work and set the pen to parchment. He started slow, of course, his wrist turning in a practiced, direct manner, keeping its motions small as to not tire so quickly. Sol glanced from one tome to the other, reading a passage once, twice, then transcribing the entry to the copy. He followed the form of the original as close as possible - yet Merrigold was a very superior scribe it appeared - taking note of the long, looping cursive and the somewhat-slanted lettering.
"...your technique used to mine is as important as your location! An experienced foreman makes all the difference whilst hiring..."
Sol glowered at the text. Merrigold's abuse of the exclamation mark brought forth a new hatred of grammar. Shouldn't one strive for some sort of balance between the subject and the material? Though, of course, he mused that if that held true the writing herein would make for a better death-knell than a work of non-fiction.