• Solo • The Waltz

Learning to dance...

31st of Vhalar 718

Stronghold of education and learning, this fortress is in one of the coldest areas of Idalos and home to many knowledge seekers in a variety of disciplines. However, unknown to most, below the city are those who suffer for the sake of science. While all are welcome, not everyone will be treated as they expect.

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Virikai Talius
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Posts: 365
Joined: Wed Jun 03, 2015 12:03 am
Race: Eídisi
Profession: Researcher/Student
Renown: 154
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The Waltz

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31st Trial of Vhalar, 718
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The hands were up in the air poised with fingers artfully splayed and arched with the elbows slightly curved out as her head turned towards the musicians as the violin joined the light, yet slow, melody. The flute trilled and echoed over the noise still, just as beautiful as it had been when it started the music with a solo piece. Two dancers, paid for by the audience’s deep pockets, moved together to start a more traditional dance. Like everyone else in the room, Virikai was captivated by their movements, so in tune with the music.

Dance was not a novelty to the Talius scion: he had been trained in the art, mostly by his mother, who believed that a sure way to a woman’s heart was through the art of dancing. Slow waltzes were her forte - she did not believe in the quickstep, claiming is was much too exuberant for a formal occasion. One wouldn’t want to work up a sweat after all.

But, as a child, Kai had never had much interest in the dancing, preferring more scientific pursuits. Now that he was engaged to be married in the next season, and with a number of other impending nuptials expected to follow, Kai regretted his choice to not pay more attention to his mother’s teachings. It was for this reason that he had secured the time of the dancers after their show, to re-educate him in the art.

They belonged to the troupe that had taken up winter refuge in Viden, as various travelling groups decided to do each arc. It was unfair, really, to call it a refuge, given the inhospitable winds and precipitation that limited everyone who stayed in the city during the Cold Cycle. But they were guaranteed a good income for the period in which travel to or from the city was impossible, which made it a popular option. The previous trial he had arranged to meet them after their show in order to pick up or learn different dance moves, and now that the show was drawing to an end, the lordling watched as the audience filed out of the auditorium, some other patrons lingering behind to offer their personal thanks to the group.

Eventually, when the room was empty, the violinist approached the seated aristocrat with a kind smile. He introduced himself as Garrett, and proceeded to shake his hand before running through the names of the rest of the troupe. His dance partner and primary teacher for the night was the female dancer called Leah. It turned out his lesson would be a trial by fire, no preamble, just straight into a slow dance, partnered up as if they had been familiar with each other their whole lives.

One of them noticed his turns were out of balance. It would be nice if he could get those turns right, but he was more worried about coordinating the spins and twirls of his dance partner better, though it wasn’t a disaster and was one of the few things he was praised on. The dance was over as quickly as it had begun, and the pair broke apart. “Now that we know what you can do, we can help you to correct it,” the female dancer explained.


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Virikai Talius
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Race: Eídisi
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Re: The Waltz

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Directed to a chair, the group took their time to settle into seats - it was the first time most of them had been off their feet in the past two breaks. The woman wore loose linen pants and shirt with a camisole underneath. She needed to be able to move freely, she described, “I would imagine you plan to dance at formal occasions, but it is something to bear in mind when you are selecting an outfit. Anything restrictive will either be damaged, or cause you to tire faster as you dance.”. Virikai gladly accepted and drank some juice with them. The male dancer, who was eating very lightly, said he didn’t like to get too full before dancing, which Kai nodded at, storing away the information. You didn’t want to dance on a full stomach, as physical exertion of any kind can make you sick if you had just eaten, which was a fair medical rationale Kai was already familiar with.

As he ate, the man went on to explain the basic ingredients of a dance while the female, Leah, stood again and took Virikai’s hand, directing him to the middle of the stage. The secret was balance, the abdominal core along with the back. Keep it centred and you would stay balanced.

The woman went through drills with the lordling as the male continued to advise on correct stand and positioning. Straight back and legs, individual dance spaces, arms erect at ninety degrees and supporting those of your partner. One hand clasped together, the other resting mid-back. It felt unnatural at first as he was used to more freedom of movement. It also felt unnatural, at his stage and status in life, to be told what to do as if he were a small child, but he gritted his teeth, determined to get this. “There you go…” Leah whispered as he breathed in, steeling his core.

This time, when he tried the turn again, it went much smoother. Again, and again, the pair turned, first led expertly by the woman as her normal dance partner tapped out the count with a stick from his chair. Each movement was to the beat. It was slow at first, but he was getting better. The beat from the stick remained as, one by one, the musicians started to play their instruments, giving more context to their movements, and he began to understand how a dance would be driven by its accompanying music.

They practiced certain parts of a traditional dance separately and then together, breaking to explain the theory behind the move, and how it would be perfectly executed, before trialing it with the lordling. If they thought it strange to be teaching an aristocrat of his age such basic things, they did not let on, for which the lordling was very grateful. In turn, he also became more relaxed in their company, more willing to be slightly more daring as he moved.

Taking a short break to wet their dry mouths, small talk regarding everything and nothing was the topic of conversation. He learnt about where they were from, and of all the different placed they travelled. Given the chance to practice some of his Rakahi with them, he discovered how terrible his accent was, making half of his words unintelligible. They laughed, and Virikai returned the favour in kind with providing a little history and culture of the eídisi and the Ancient Tongue. It was light-hearted and easy. He could see why troupes of players were popular among the common folk, with their practiced ease at communication.



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Virikai Talius
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Re: The Waltz

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When they got back up to continue the lesson, the lordling paused as his teacher spoke. “We’re going to switch partners, now. This is Selma,” Leah gestured over to one of the musicians, who knew enough about dancing to be a match for Kai, “I’ll be dancing with my normal partner beside you. Now that you have the basics of the routine, we should see if you can stay in time with other partners.

Back on the floor, he breathed in deeply, focusing in on his abdominal muscles again to ensure his position was stable. His new partner smiled before whispering conspiratorially that she still had to do the same thing each time she was pulled up. She was a flautist, though, and had enough control of the core muscles to make it relatively easy for her to accomplish. With the music starting up again, Kai was unprepared for the precise moment in which he needed to start dancing, and he ended up doing a strange little quickstep of his own, glancing sideways at the other couple, before falling into time. Selma was knowledgable enough to be able to keep it together through this, and soon they were moving in tandem.

This time, with no one there to lead him, Kai had to focus more of his energies on the pace, and controlling his partner, rather than on his core muscles. At one point, his stance slackened, his arms drooping, but Selma silently squeezed his hand in a reminder - or was it reassurance? - and he quickly corrected himself. It was not too difficult in the end, it seemed. The dance steps were simple: his teachers preferring to prefect the basics rather than overload him with an arsenal of dance moves he would never use properly. But he was glad of the lesson.

When the music slowed, Kai instantly knew hie cue to slow his own pace to a halt, gently removing his hold and leaning forward to kiss the girl’s knuckles. That, at least, was something he didn’t need any training in. Turning to the group at large as he escorted his partner off the stage (dancefloor) like a true gentleman, other musicians grinned at the act he kept up. “Thank you, to all. This had been most enlightening. What do I owe you?” He saw the confused looks first, before they all clamoured that he owed nothing, that it was their pleasure. Regardless, Kai was a man of many means, and the group were not. In the end, he negotiated a ‘tip’ of sorts, one of 100 gold nels. “I look forward to your next show,” he complimented as a parting gesture of good faith.



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Mads
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Joined: Sat Sep 08, 2018 3:37 pm
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Re: The Waltz

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IP
Knowledge.........
Dancing: Balance is Key
Dancing: Core Abdominal Strength
Dancing: Find Your Centre
Dancing: Not on a Full Stomach
Dancing: Stay in Time with Others
Rakahi: Accents and Pronunciation
Loot....................
-100 GN for fancy feet lessons
Consequence......
None
Renown..............
None
Experience...........
10
Hm. That was the least dancy-dance thread I've ever read in a dancing grind. I am pleased. You always keep IP's worldview firmly in hand throughout your posts with him, so naturally the dancing was more about form, techinque, and a more analtyical discetion of what dancing is than the emotion and music and "feeling". I much prefer this style for written dance, as I've yet to find a really good written depiction of it. Nice nice.
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